Showing posts with label Superman. Show all posts
Showing posts with label Superman. Show all posts

Thursday, July 03, 2008

Apple goes Super Awesome



iTunes has partnered with Waner Bros./ DC Comics to put a whole mess of cartoons, live-action, etc... online. If you don't already have all of these great shows in another format (say, DVD), then this is a great opportunity.

I'm especially excited to see they've made "The Adventures of Superman" available, starring George Reeves and Phyllis Coates (Noel Neill would join the cast in Season 2, reprising the role she played with Kirk Alyn in the movie serials).

Also, look for:

Batman: The Animated Series
Superman: The Animated Series
Batman Beyond
Aquaman
Super Friends
and the original Fleischer Studios Superman cartoons

Episodes are priced at a very reasonable $1.99, or about $1 less than a comic book.

Go to iTunes and look for DC Classic Animation.

Thursday, June 26, 2008

a TTSNB special: If I had a million dollars!

I may be jobless, but if I had me a million dollars, I know what I'd buy.

First, I'd get this, this and this. Then this. And then, improbably, this.

But after that...


Is an original Barris Batmobile too much to wish for? If so, I will take this.






The great thing about this $100 lawn ornament (2 feet tall) is that when Jamie would complain about it, I could tell her she was crazy for believing in Bigfoot Lawn Ornaments. I could pat her hand and tell her that maybe she'd seen a bear lawn ornament or something.

I found this in the SkyMall catalog while flying to Costa Rica, and its been on my mind ever since. But to dwell on the items of the SkyMall catalog is to invite madness.


"Suffering from head-weight exhaustion? Seeking better neck health? Noted Phrenologist Professor Poppycock's amazing new Spine-o-Extractor has already led to rejuvenation for others. Why not you? Only Professor Poppycock's Spine-o-Extractor provides the proper amount of lifting power necessary for the correct separation of vertebrae of the human backbone, which allows the nerve clusters to oxygenate. Enjoy better neck and head health! Professor Poppycock's Amazing Spine-o-Extractor is to the skull-support area what Cod liver Oil is for the humors of the human food-tract!"
Yes, I found this in SkyMall, too. $55 before S&H.


This really isn't that expensive if you have a job, but I don't. When it come to Trek, I'm Trek Classic all the way. And while I think phasers and communicators are cool, Tricorders are simply awesome. Buy me a tricorder here. And, yes, i would walk around with it in the background on all of your away missions.


This things is, like, 7 feet high. And costs $2500. Here's a link, if you want to buy it for me. I think it would look awesome in the corner where Jamie keeps the piano.


I have a Wii. Jason has an Xbox. There is no GTAIV for Wii.
I want to rob people and take their cars and go on shady missions around Liberty City.
But I, otherwise, really am happy with the Wii. But if I had a million dollars...



Mattel does a tip of the hat to Hitchock and Hedren. It's kind of weird, but... you know, if you're going to have really random crap in your millionaire mansion, why not this? Buy here.

Also, this Wonder Woman Barbie. No, seriously. I want a Barbie for the first time in my life.



While the arm in the photo in no way resembles The League's own guns, why not the Hammer of Thor?

You don't actually need to be worthy to lift this hammer, but you're going to need about $450, plus S&H.


Yes, truly I would impress all in an interview when they would ask for one of my strengths, and I would hold Mjolnir aloft and call the thunder down upon their brow.


While, of course, wearing my official Thor helmet.

Wednesday, June 25, 2008

A meandering post

Sorry about the lack of substantive posting. But, you know, not a whole lot to report. Jamie and I have been sticking close to the homefront, and not much has been going on.

Mer B.


Facebook is a strange and funny place. Thanks to Facebook, I think Jamie's circle of high school pals is having an impromptu reunion of some sort this fall.

But, I am not without people who once liked me.

This evening an old High School Chum called. For those of you KOHS folks, it was Meredith B., now married and still a Meredith B. Mer sounds great, and it was fantastic to catch up with her. And, yes, she'd found me on Facebook.

In high school I adored Meredith. She was smart, funny and if you were looking for someone to make spot on observational snark, she was your gal. We were in drama together, and were in plays from "The Crucible", to "All My Sons". And she a good actor, too, if I recall.

Meredith's moment of "the show must go on" took place when, in the middle of a show, she was supposed to be breaking ice with an ice pick and neatly stabbed her hand, just above the thumb. Meredith, being Meredith, just stuck her hand in the ice to slow the bleeding and then carried on the scene and then the play. Just one of many, many reasons why I tip my hat to the lady.

She's now in N. Carolina, married to a great guy and mother to three boys. My, how life marches on.

Bagging and Boarding

As for me:

I've been bagging, boarding, boxing and inventorying about 8-9 months worth of comics. Not all bad, but a little tedious. I've also set aside a stack of comics I've decided not to keep in the collection. Not bad stuff, just... it doesn't need to disappear into the closet in a polybag. I can share the wealth, if anyone wants me to send them some comics.

I'm increasingly of the opinion that I need to find a process for shedding some of the stuff I like reading, but won't ever return to. I will want to hang onto Action Comics and Superman, but the stack of Fantastic Four and Black Panther? A good read, sure... but I'm just not all that attached.

I am increasingly more pleased with my Superman comic collection, but its also true that it is a teeny, tiny fraction of the total published Superman comics over the years. There's just so much out there. And so little of it in reprint. With back-issues costing more than a new comic, my purchase of the back issues has to be managed. Lest Ryan go broke and crazy.

Still, it makes it a hobby, I suppose. If I could get my hands on all that stuff easily, what would be the fun?


Web Comics

Which makes me really, really wish Marvel and DC would get their @#$% together on the whole digital comics thing. How wasteful is it to have trees cut down and pulped, paper printed (using noxious chemicals), shipped (using fuel), and taking up space on a shelf, shoved in a plastic bag to take home, and then read in about fifteen minutes or less? And for obsessive guys like me, a ploybag and board?

Digital comics, DC and Marvel. Oh, I'll still pick up my paper copies of my collector titles (Superman, GL, Batman, Wonder Woman, etc...). And I might still pick up trade collections of series that were really good which I'd read online.

I want to love you, monthly installments, but you're killing the earth. You'd be cheaper if you had no physical form until I say you do. I do wonder what the tipping point would be for DC and Marvel before the cost of printing was high enough, and the cost of shipping impacted cost enough that retailers couldn't move the product...?

I wonder how strong web comics proponents (like Lea Hernandez) foresee the whole web-comics thing, if and when it plays out, affecting retailers?

I'm not trying to put the Direct Market out of business. That certainly seems like it would be an unintended side-effect. But I also wonder, if the cost were right, how that might affect the number of actual readers per comic.

Keep in mind, comics used to be shared and traded by kids, so the publishers saw only the profit of one purchase to something like 5-10 actual readers.

I'm just saying.


Ub Iwerks

Also watched a really good documentary on Walt Disney collaborator Ub Iwerks I recorded off Ovation, The Hand Behind the Mouse: The Ub Iwerks Story. If you don't know who Ub Iwerks is/ was, I highly recommend reading up on the man. His contribution to animation is incalculable, and he later turned that same genius to film technology.

The documentary is well done, but seems cleaned up by Disney to make the history fit a little better into Disney's version of things ( I believe they produced or released the doc).

Anyhow, I'm going to be looking at those DVD collections of really inexpensive cartoons to see if they have any of the Iwerks non-Disney cartoons available.

Read here
and here
and here

Completely inappropriate Superman link

Whatever you do, do not click through to read the following article. Especially you, Mom. DO NOT CLICK THROUGH. DO SO AT YOUR PERIL.

Sent, of course, by Randy.

Superman Birthday #2

I'm not sure how many fictional birthdays Superman gets, but with 70 years of comics under his belt, it seems the Man of Steel has more than one. If you recall, February 29th has often been sited as Superman's birthday.

According to Comic Mix, apparently there's a pre-Crisis Superman birthday that falls on June 25th.

Go figure.

I like Superman and all, but I'm not getting him a present for every birthday he's going to have across the Multi-verse.

Tuesday, June 17, 2008

Krypto




Superman's canine companion, Krypto, graces the September cover of Superman (issue #680).

For full September solicitations, go here.

Saturday, May 10, 2008

Comet the Super (creepy) Horse and DC Comics Movies

Comet the Skeevy Superhorse

Randy suggested I blog on this topic: Cracked Online has identified the creepiest characters in comics. And, yeah, they knock it out of the park.

Of all Superman lore, Comet the Superhorse is probably the number one concept I just can't get behind. In case you don't click over, here's the rundown:
In order to make Supergirl appeal even more to the little girl audience of the 50's and 60's, they gave Supergirl a pony. Just as she had a cute little kitty with superpowers (Streaky the Supercat, who was actually hilarious on the recent Krypto cartoon), and Superman had Krypto and Beppo*, it seemed a pony was a good idea. What could go wrong?

Really, Comet is a study in "sometimes the simple ideas are the best", and you really don't need to muck about with the winning super-pet formula. But, this is comics, and in the world of comics, why have a lovely idea when you can have a really convoluted and bizarre idea?

Somewhere along the lines, Mort Weisinger fell asleep at the editorial wheel and Comet the Superhorse went from being a cute horse with powers to having a secret origin which revealed that he was once Centaur who had been transmorgified into a horse. And lusted for Supergirl. And would occasionally transform into a cowboy of some sort.

I dunno. It was the Silver Age.


No. Just... No.

I'm all into star-crossed lovers, but there's just something a bit creepy about a horse having romantic notions about a 16 year old girl. Or a 3000 year old Centaur who was lusting for Superman's young cousin. And, really, any way you slice it, I think Superman should have been going after Superhorse with a Super shotgun.

Also, they mention Terry Long, who even when I first saw him in the first Teen Titans story I ever read, I found a little skeevy, and I never understood the Donna Troy/ Terry Long romance and what the hell the editors were thinking.


*According to trusted site Wikipedia, Beppo was also a name for monstrous Nazi evil-bastard doctor guy Josef Mengele. I am... without words. Here. And here.

DC can't get a movie out, but Iron Man made $100 million its first weekend

Ah, DC Comics. It's not enough that DC Comics are the wallflower comics in the comic shops. For the past ten years, Marvel has been putting out profitable movie after profitable movie, all while Warner Bros. has been sitting on their sub-divison, DC Comics, unable to figure out how to bring anyone but Superman and Batman to the big screen.

Randy sent along this article, which takes a quick look at DC's stalled efforts while Marvel has another bonafide hit on their hands.

As a greater fan of DC Comics than Marvel Comics, it can be frustrating watching Marvel's characters make it to the big screen. After all, in theory, DC has had all the advantages for years. They're not licensing characters to get the movies made. In theory, they should be doing it in house. Marvel, meanwhile, should be struggling with bad deals.

According to the article, Marvel is simply decimating DC. And in a lot of ways, that's true. Especially if you go by volume of movies coming out.

And with Iron Man hitting theaters with a solid win, its tough to see DC having much success. That is, if you forget Dark Knight is coming out in a little while. And if you forget Marvel's recent efforts which may have made money, but also landed with a thud. FF2: Rise of the Silver Surfer, Ghost Rider, and even Spidey 3 didn't do much to get audiences terribly excited. X-Men 3 made more money than X-Men 1, but ask anyone which of the X-Movies is their favorite...

This isn't counting movies such as Daredevil, Elektra and the Hulk, all of which made some money, but which were mostly disliked. And a quick show of hands for anyone who is particularly jazzed by the trailers for the new Hulk movie?

So I'm not sure what to make of all of this, honestly.

DC should be out there trying to compete. But of their two feature film releases, Superman Returns received fairly decent critical reviews, but forgot it was supposed to be an action movie when it opened just a few days before the steamroller of Pirates of the Caribbean 2. Batman Begins continues to be a favorite. And the trailers for The Dark Knight look promising.

Attempts at a Justice League movie, which should incorporate Batman, Superman and 5 other super hero mainstays (Wonder Woman, Green Lantern, Martian Manhunter, Aquaman and Flash) was scuttled after the writer's strike, ostensibly for cost reasons, but rumor control still leaked dissatisfaction with the script, and the cast listings for these iconic figures boiled down to a lot of talent which seemed more appropriate for a CW TV show than a superheroic epic.  This, of course, was getting negative web press from the comic dorks.  And I wouldn't be surprised if the studios didn't take notice (hey, we seem to be irritating our built in market...).

Speaking of the CW, the 7 seasons of Smallville will roll into an 8th season in the fall, as Smallville continues on as the highest rated show on the CW network. I wouldn't recommend the show at this point, but 8 seasons? That's got to say something fairly positive.

With Marvel Studios recent establishment and the success of Iron Man at the box office, the relationship DC has with Warner Bros., unfortunately, is seeming to become more of an albatross than a bonus. Rather than Marvel having the freedom to find the right package to get a movie off the ground with talent associated who they can guide in staying true to the concepts they're bringing to the big screen, DC is still fighting off directors and writers who are seemingly being gifted with superhero films with minimal input from DC.

The article states:

• Aquaman: "According to Comic Book Resources, the producers want to make a screwball comedy of it." • The Flash: Wedding Crashers' David Dobkin was signed to direct last year. • Green Lantern: Greg Berlanti (Brothers & Sisters, Eli Stone) is writing a script; Jack Black won't star—at least he promised as much back in 2006. • Justice League of America: "Tabled." • Superman: The Man of Steel: Director Bryan Singer's on board. Superman Returns star Brandon Routh's on board. Filming might begin "early next year," per Routh, who admittedly doesn't have the power to schedule such things. • Wonder Woman: "Sitting uncomfortably on the backburner."


-A wacky Aquaman? Any particular reason? Not enough to work with there with the Lord of the Seas, his super strength and various other powers and a largely unused environment full of all kinds of potential? I assume this is because stand up comics have been taking pokes at Aquaman for the past few years.

-A screwball comedy director for The Flash? Because that worked so well for the FF movies. I can only assume they think The Flash is a barrel of yuks, or I can't imagine what drove that decision. And while I agree that the Flash should be a huge amount of fun, letting Owen Wilson and Co. mug for the camera doesn't seem like much of a qualification. But I'd be curious to hear what the story is, first...

-Am I seeing a trend here? About four years ago it was rumored Jack Black would star in a Green Lantern movie. Once again, it seems that the now 45 year old Batman TV series seems to dictate how writers are thinking of superheroes. Its particularly disappointing when Geoff Johns is doing so much to make Green Lantern such an engaging read. And could probably hammer out an outline for a movie in about three days at this point.

-And I'm going to go out on a limb here about Whedon's Wonder Woman, but... Whedon's financial track record isn't that great. He has a small, core audience that will follow him anywhere he goes, but remember the shakiness regarding the final seasons of Buffy? The quick cancellation of Firefly? The non-existent box office for Serenity? I'm glad the man got a shot, but perhaps whatever script he handed in just wasn't looking like much to the producers but "Serenity Deux".

That said, there's a lot of room for Wonder Woman to be very, very bad. I'm not interested in seeing this movie until there's a solid script and talent behind it.

How, after 3 Spider-Man movies, Iron Man, and whatever success you want to assign to the various other Marvel movies at this point, Warner Bros. still can't help but see their potentially profitable action franchises as anything but silliness to be milked and discarded is a mystery beyond my ability to solve.

Add in what they seem interested in doing when they do get a well-written property, and you wind up with "League of Extraordinary Gentlemen" (wtf?) or "V for Vendetta" (let's all be non-conformists, together!). Or the ability for things to go off the rails when the money guys get too involved (see: Batman Forever and Batman and Robin. Actually, don't.). Or they rush out a movie that's just not a good idea ("Steel". Starring Shaq. Oh, yes.).

So it doesn't do much to make me think that DC's woes as far as not meeting Marvel's output are as much of a problem as the article suggests. I would rather have fewer, better movies (and I still think Superman Returns was much better than folks gave it credit for) than a machine just dumping the DCU out onto a populace with minimal regard to quality. There's no guarantee that every Marvel flick to come will be Iron Man. There's a lot of room to go off the rails with Thor, Cap and the rest.

And if DC wants to test the waters... there's no rule that says you need to roll out the big seven. I don't think most people have a solid idea of who the heck Iron Man is/ was before the movie. So are people really going to not show up for a Blue Beetle movie if it looks fun and cool? And isn't there a great movie somewhere in there with Shazam!? Green Arrow and Black Canary? Heck, I think people would turn up for Plastic Man.

Understand, too, that WB has felt burned in the past. After the Catwoman debacle, it seems that they're aware of the potential for things to go poorly, and will do what they can to manage their properties. So while there may be a wacky Aquaman script out there, I think they're genuinely ting to do right by these characters.

Sometimes, less is more.

Now, if DC could get their comics straightened out...

Wednesday, May 07, 2008

Items for Wednesday

ITEM! Randy finds a strip that is all too accurate.

ITEM! It's only taken, like, two years, but they're finally wrapping up the "Last Son" storyline in Action Comics Annual #11 coming out this week. Great googledy-moogledy. I'd heard the Kubert Brother working on this had "health" problems that kept him from working on this comic and getting it in on time. He also helps run the Joe Kubert School of Cartooning or whatever in NYC. I understand health issues can be private, so I'm not looking for an explanation. But I wish DC had hired another artist and wrapped this up a while back. Hopefully DC has their scheduling straightened out for the foreseeable future on the Superman titles.

ITEM! Hi, Denise! How are you? How are the kids?

ITEM! Entertainment Weekly has preview pages of Final Crisis #1

ITEM! Jason, Jamie, Julia... sorry about the whole Speed Racer thing last night. I had passes to a sneak peek, but I thought they were for the nearby Westgate Theater. When I grabbed them to get ready to go, I realized they were for the Gateway Theater on the other end of town. So... we didn't end up going due to the time.

ITEM! The Met has a show right now called "Superheroes: Fashion and Fantasy", featuring superhero costumes right alongside some of the more extreme fashion ideas. Especially from the 80's, I think.

Click here for The Beat's report and to see an amazing statue of DC's Trinity. They also had one of Lynda Carter's costumes. Whoo!

ITEM! I don't remember where I read it, but there's a rumor that Matthew McConaughey may have landed the role of Captain America. Which... Really? I always thought he was more of a young Michael Biehn.

Of all superheroes, Cap is really the American Superhero ideal. He's the barrel-chested, baritone voiced, two-fisted slugger fighting against fascism. Is that McConaughey? I've never seen his more action oriented flicks. And I don't want a Vin Diesel or some pro-wrestler putting on the feather-headed cowl, so...

And I don't know how many of you have seen the circa 1980 Cap movies made for TV, or the 1990 movie which never made it to theaters (starring no less than the son of JD Salinger), but the costume sorta doesn't work in real life. But I think if they took a look at Hitch's designs for Cap in The Ultimates, then, maybe it won't make him look like a member of the cast of a Superbowl Halftime Show.

Sunday, April 27, 2008

What's Up

Hey all.

Friday Jamie went to a fashion show of some sort at UT. Jason and I went and grabbed dinner, and then saw "The Forbidden Kingdom", the Jet Li/ Jackie Chan team-up. It's basically a kids' movie, and as such, it doesn't do much to bring anything new to the "quest" movie (which in this case, the quest is to bring a magical staff to the Monkey King). There's hints of "NeverEnding Story" to the thing, but its not necessarily for very small kids. But if I had a 9 year-old at my disposal, this would be a good entry-point for Kung-Fu movies.

Saturday I hit the Barton Springs spill-over with Lucy, Cassidy and Jason. It was a great Austin springtime sort of Saturday, and I got a little sun. Last night we went to dinner with Matt and Nicole at Hyde Park.

This morning and Friday night, typically horrendous spring weather blew through. This morning, in particular, looked pretty nasty out the window when all three pets came to the bedroom around 6:50 looking for moral support. So we finally got some rain. And, these fronts tend to leave the sky clear and blue, with the the swimming holes pretty well filled. So... maybe another day of unemployment tomorrow would be welcome... Many a day I've stepped outside for lunch into beautiful weather and bemoaned the fact I was working on such a day. Hopefully I can make something of the lovely weather.

Today we headed to the far north of Austin to see a screening of Superman: The Movie at the Lake Creek Alamo Drafthouse. Jason came along, and we met up with Tania and JAL. Before the screening, they had a trivia contest, and the League is embarrassed to report that he was asked to refrain from answering questions when, after two questions, it became clear I was ready to sweep (I had correctly identified Clark Kent's middle name as "Joseph" when the hammer came down, and the guy who played Darth Vader as Reeve's trainer during filming of Superman).

Look, I have one skill. I should be able to flex it occasionally.

I did win passes.

They also had a costume contest, and there were several elementary-aged Supermans, Batmans and some guy (not a kid) in a phenomenal Spider-Man costume (and he looked pretty buff under the suit, too). The kids were darn excited about Spidey, as were we.

It was actually really cool to see so many kids come out for the movie with their parents, and not to a cartoon full of fart jokes, which is where I usually see the wee ones. The Admiral and KareBear used to take us to adventure movies all the time when Jason and I were kids. The Admiral was always much more into the movies than KareBear (as evidenced by KareBear's tendency to fall asleep), but we all dug a good family adventure movie back in the day. I am aware that I'm not going to the movies targeted at that demographic (the Spiderwick Chronicles, etc...), so I don't know what parents take their kids to see these days, but its a thrill to see Superman still drawing folks in 30 years on.

Good-bye to Headline News

Has anyone been watching Headline News lately? They seem to have handed the keys over to talking head Mike Galanos, who has decided that every minute of the Headline News broadcast day would be better served if he behaved like an abrasive ass.

Let me back up a moment. What they appear to be doing is suggesting that every story has at least two sides (correct) with the following formula:
1) Report very briefly on the story, fitting "who, what, where, when, why" into about, literally, twenty seconds.
2) Have anchor Galanos ask some loaded question about the story
3) Have one or two "experts" discuss the topic while Galanos tells them why they are wrong, usually because he's scripted out the knee jerk reaction one would have using emotional arguments and a complete lack of knowledge about the subtleties and nuances of the topic.

What the @$%#?

I am aware that when Turner sold CNN to Time-Warner, Time-Warner began to muck with the formula, leading to shows like "Nancy Grace" and "Glenn Beck", both of whom seem to be making money by acting like braying donkeys. Apparently a lot of people are watching this stuff, so a lot of people find this form of news a lot more palatable. I find it grating and unwatchable. And apparently, if what I just watched for the last thirty minutes is any indication, the other Headline News reporters are finding the new format a little hard to work in. They all sort of look like they just want their segments over with.

A lot of hay is made over how many ways there are now to get your news, but I guess this is the downside. In competing for marketshare, the people who seem to be winning are (as is so often in life) the one willing to make the most noise.

I've mostly already given up on Headline News, but this is the last nail in the coffin. For the last several years I've screened various news sources to look at the news, and I find it sort of amazing that I'm moving further and further away from TV news and back to print (if that's what you want to call the internet). As per the web: Unfortunately, the CNN internet brand hasn't really been an option for a while thanks to their insistence on "video" for every story (I can read fine, thanks). And then forcing me to watch some 30 second ad, a house ad, and throw in a good twenty seconds for buffering before seeing the actual story. Thanks, CNN, but I was good with the text story.

This is the fate of the news, I suppose. The day of journalistic objectivity will be talked about in classrooms as a quaint and provincial notion that missed the bigger picture of using the news as a sounding board for hacks and carnival barkers to get airtime. All of this, of course, to drive up ad revenue. Mentions of objectivity will be met with the kind of derision one saves for the over-idealistic, when the smart and cynical know how to make a buck.

I'm mostly disappointed that Headline News' insistence on the format change means it must be working. What can it mean but that people want to digest their news in an all-debate, all-jack-ass formula? Is this the spirit of true discourse? One step ahead of a Geraldo Rivera chair toss? Somehow, people MUST feel like Glenn Beck has something to offer. But what I find really creepy is when I hear "Oh, well, he's funny".

The news isn't really supposed to be funny, per se. Debate and discussion over the fate of the Middle East shouldn't really be there to amuse the viewer because Glenn beck just called someone a pink-o as part of his argument. This line of thinking and wanting your news pre-processed to match your pre-defined political/ emotional spectrum is the narrow-casting of the world. Join the Glenn Beck/ Mike Galanos team and feel superior to those the news is actually happening to.

Now, that's not to say that there's not room for comedians. But the comedians are not journalists. The role of the comedian has often been to point out the absurdity of any situation. But that doesn't mean that the comedian has the same place in the media matrix as the politician, the journalist of the partisan hack with airtime.

As mentioned by Jon Stewart:

Thursday, April 24, 2008

Superman at LakeCreek Alamo April 27th - take 2

Hey Leaguers:

Do not forget, Superman: The Movie will show at the Lake Creek Alamo Drafthouse on Sunday.

We're going to the 1:00 show.

You don't need to make a big fuss about the whole thing. But we'll be there with JAL and Mrs. JAL.

Thursday, April 10, 2008

Superman stinks?

Back before Superman Returns, I used to get a lot of articles like this one forwarded to me. It's an article basically stating why Superman is a terrible character. (Thanks to Randy and Simon for the link.)

There are two basic forms these articles take:
1) I am a comic fan, and I know what makes for good superheroes, and Superman is NOT IT
2) Superman is too outdated for our morally complex times (this one is usually written by a non-superhero and/ or comic fan)

These articles are usually, I assume, meant to blow the lid off of people's pre-conceptions of the All-American hero. Often they are meant as a justification of the Marvel-style of superheroes and/ or Batman as the rightful heir to being "the best hero ever".

It's a weird sort of thing to want to write such an article, even for a comic site or publication. Really, no other character generates the same negative ink, just for existing. I don't recall if I've ever seen a "why Spidey is a terrible character", "why Batman is just dumb", or "why Captain America should stay dead/ retired already".

I do think the linked article does distill the basic crux of the arguments by comic nerds who do not like Superman. It's what I would characterize as argument #1, why Superman is not a good Superhero by and for comic nerds.

The four points for why Superman is a bad character are (more or less):

1) Indestructibility
2) Moral absolutism
3) Superman's very presence somehow lessens humanity
4) Superman is given powers, and somehow that's unfair

As I mentioned above, these arguments are usually paired with the relative bad-assery that the comic fanboy finds in Batman, Spidey or Wolverine. Now, clearly The League is a pretty big Batman nut, and our Batman fandom runs many years longer than that of our Superman fandom. We understand the argument. We also like Spidey, and feel sort of "meh" when it comes to Wolverine.

The biggest problem with most of these articles is that its pretty clear that the writer has only a cursory understanding of Superman, usually formed from a high-profile project of the cross-over variety, or a team book. And quite often it seems the writer is finding ways to force the world to see Superman through the filter of Dark Knight Returns. And, quite often, the writer has selectively omitted certain aspects or perhaps just missed some detail of the story which they are citing.

The League rebuts:


Indestructibility- usually the number one writing complaint for writers trying to take on Superman. He can't be shot. He doesn't fear a gas main exploding.

All of these are true. That was kind of the point of a guy who didn't need to worry about bullets, etc... when Superman was developed. If he could be shot and die, he'd be someone else.

Yes, if you want to get technical, Superman can be hurt by Kryptonite. Or magic. Or have his powers shut off under the light of a red sun (as seen in recent issues of Action Comics). But that's not really the point.

Superman can't be injured by conventional means, but those around him CAN. People can get injured. It's one thing to get shot at, its another thing for Superman to worry about the bullets bouncing off his skin and sailing all over the place. Its another thing to worry about escalation when that super-villain knows he can't get you, but blowing up a few city blocks will sure get your attention (or poisoning all the air ducts in Metropolis, right Lex?).

This doesn't address that many other fan-favorite characters are also invulnerable. The Hulk. Thor. Wolverine (from a practical standpoint). Iron Man. Captain Marvel/ Shazam. Green Lantern. Martian Manhunter. Colossus. And, hey... even Booster Gold.

Superman, like Batman, is a character featured in perpetually produced serial fiction. Neither will ever really die, no matter what an editor or executive might think will temporarily push up sales on a comic. At what point does it not become absurd for the man in tights and bat-ears to not ever just get a bullet between the ribs from some thug who gets off a lucky shot (and you can't tell me every crook in Gotham wouldn't be carrying at least two guns just for purse snatching)? Or why doesn't someone just start shooting at Wolverine from across the room with a decent gun? Or Spider-Man, for that matter? Heck, at least Superman has an excuse for shrugging off bullets, and at least the crooks in Metropolis aren't going to just wait for their lucky shot if they know it ain't going to work.

Are we to understand that the folks of the Marvel or DCU are too dull to understand that a well placed IED could take out most of the Bat-gang, most X-Men, etc...? And while that may make those characters a bit less fantastic than the Man of Steel, worrying about getting hit with a pool cue is not really what Superman is about. Consider Superman the guy feeling guilty when the bomb goes off because people were injured, and he didn't spot the bomb in time with his X-ray vision.

To suggest that the writers of Superman comics do not address the invulnerability issue in the pages of Superman comics, and elsewhere, is a bit disingenuous. It's addressed in almost every issue. It's considered Superman's responsibility to use that invulnerability (more on this later).

And to suggest that Superman has never confronted a villain who knew his weaknesses, or who wasn't a physical threat to Superman is just simply inaccurate (Mongul, Darkseid, Doomsday, Mxyzptlk, Bizarro, Brainiac...).

Moral absolutism - When this pops up, it's usually when I get the feeling the writer has never stooped so low as to actually have read a Superman comic in his/ her life. Superman comics are generally about Superman not being sure what path to follow when confronted with an almost insurmountable moral dilemma (see Busiek's "Camelot Falls").

Our writer said: Superman has no values of his own, so he's content to just uphold the values of the ruling class

True, in that usually Superman returns the situation to the status quo before the end of the story. It's been 60+ years since Superman was portrayed as a misfit working outside the law. But to state that he has no values of his own displays a fundamental disregard for 70 years of Superman comics. That's also not to mention that the same is true of roughly 90% of what's out there.

If you really want to dissect that statement, we can go back to our friend, Batman: A rich plutocrat who goes out each night and performs vigilante acts beyond the law on a populace that is obviously desperate enough to turn to crime.

Our writer says:

In Batman: War on Crime, Bats comes up against a young boy holding a gun on him. Batman, understanding the complexity of crime and the reasons for its existence, talks the kid into dropping the gun and giving up a life of violence.

Superman would probably just use his heat-vision to melt the gun, then put the kid in prison where he'd become a hard-bitten thug who'd murder somebody a few months after getting out.


For Batman (and the actual purpose of that story, if I recall), that kid was the exception to the rule. If the kid were seventeen or eighteen and holding the gun, Batman would be telling the kid how long each bone would take to heal as he broke it. The writer's suggestion regarding Superman's solution is a fairly inaccurate portrayal as the Man of Steel has EVER been portrayed. Most likely today's Superman would either let the kid unload the clip, then ask him where his parents were. Or, melt the end of the gun and have the same conversation with the kid Batman had in Dini's book.

The writer also suggests Superman's book "Peace on Earth" is a simple story about Superman stopping hunger. I'd encourage Leaguers to read the actual book. "Peace on Earth" is about Superman's inability to solve everyday crisis, and how it weighs on him. It does look at the complex reasons for hunger, and how intervention by any power might be problematic to solving the problem.

Superman has never been portrayed as a puppet of the powers-that-be, but certainly in the post-Wertham-era, he's not been the wise-cracking outsider living outside the law that Siegel and Shuster originally conceived. But a quick glance through a year's worth of Superman comics is a reminder that Superman lives outside of humanity to a large extent, and is aware of the corruptibility of the status quo. He doesn't merely act as a super-cop with all thought to the letter of the law as the author would suggest. While he's certainly not one to just pass by a drug deal on the street, he's here to try to protect us when we can't protect ourselves.

For that matter, its kind of a silly suggestion to bring up that Superman is just some guy who thinks his morals should be enforced. Isn't what Superman is doing the same sort decision making every elected official, police officer, soldier and appointee who ever had to make a decision that would affect others?

In short, what the author seems to want is a Superman who deals with complex situations. I would welcome him to take a look at the past few decades worth fo comics.


Superman's very presence somehow lessens humanity - This is kind of the Lex Luthor argument.

The argument here is that Superman's presence and tendency to act on humanity's behalf somehow suggests that humanity is stupid and dull and needs a savior. As the author points out, this was Lois Lane's argument which earned her a Pulitzer in "Superman Returns". This author felt that Lois's argument is never really defeated by the movie's action, a point which I would note goes out the window when Lois's plane is rescued by the Man of Steel and we can see in her eyes when she realizes her article might be a bit inaccurate.

Superman was created, to an extent, as a fantasy character by two kids who were seeing the corruption, wrong doing and abuse in their world. Keep in mind, this was Cleveland during the Depression, and one of these guy's fathers was gunned down in his own store.

In the first issue of Action Comics, Superman stops the execution of a wrongfully convicted man, smacks around a man abusing his wife and rescues Lois from a local thug. Not bad for a day's work.

These days Superman tends to stop giant robots, intergalactic forces bent on destroying the fabric of space and time, or well-meaning time travelers trying to make the point our author is trying to make. Humanity needs to save itself. Which sounds great until the next mudslide, earthquake in a third world country, or nuclear meltdown.

That's more or less the current idea behind Superman, that someone can take action immediately, not wait and hope that the Red Cross will show up after the fact. We may believe ourselves masters of our world, but when we are not... when we fail or we can't save the day... that's the story of Superman. When the lights are flashing at Hoover Dam and all hell is about to break loose, who shows up to patch the dam with his heat vision and get the generators back online, say a quick hello and then disappear back into the sky?

I don't think that suggests anything negative about humanity. And maybe it even suggests something about what anyone can do to step in and help someone else out when they're in a crisis.


Superman is given powers, and somehow that's unfair -
Well, that's kind of the point, isn't it? Sure, everyone on his planet had to die for him to get the powers, and touching a piece of his planet will kill him... But the point here is that, I think, the author is sort of saying "all those guys who made the basketball team were just lucky bastards with natural talent. If I could have worked out all the time, and maybe had professional basketball tutors, I could have been as good as them. That's what people want to see!"

This is sort of a personal preference in your superherofandom, and it has been used repeatedly in the narrative of the DCu as a point/ counter-point between Superman and Batman.

Superman has long been about responsibility of power, from his first stories onward through the present day. The decisions about how to use that power, and what sacrifices he must make to uphold that responsibility are the fabric of the Superman mythos.

The conception was always that Superman was the one with the power working for the underdog when the world was failing them. Somewhere along the line (I point to Dark Knight Returns) this whole notion that Superman was a thick-headed goof who was a government patsy appeared, and suddenly Superman's power was frightening and worked as a great strawman villain for DKR. That was more or less Miller's interpretation, and one he explained away in Dark Knight Strikes Again.

If we follow the logic of the author, Batman didn't earn his power, and so he's very likely to abuse it or misuse it. Which is only true to the extent that he's used his billions to do much but put clubhouses in space for he and his pals, and to dress up as a bat and punch out petty crooks.

I get the whole point about Batman being a complete badass because of his training, but, hey... I think this is kind of merely a question of taste.

More on the Batman v. Superman debate (which this guy can't let go):

Look, Bruce Wayne is a billionaire trustfund baby with a chip on his shoulder. I'm not sure if the author is suggesting that Superman should hang up the cape and move aside for Batman to do his thing (which kind of boils down to beating up the poor and mentally ill to make someone else pay for a crime none of these people ever committed).

As per the inevitable reference to the DKR fight between Batman and Superman, which has been replayed a million times... We Superman fans get it. Bats used Kryptonite in a surprise tactic. See him try that twice.

The thrill in DKR was seeing the unexpected, and, really, guys... Superman actually won that fight. He didn't need to fake a heart attack so as not to get his ass finally handed to him.

I might also point out: how many people would really pay to read an issue where Superman does the completely predictable and turns Batman into Batpaste? It seems like that would be unpopular.

On a final note: A long time ago I was having a similar disagreement with someone who shall remain unnamed. Their stance was "well, this is my perception of Superman". I understand that argument, to an extent. However, I do not feel it fair to pass judgment on a character based upon a few glimpses pulled from a few comics, a few spots of media, etc... Especially when using Dark Knight Returns as your basis for evidence. Four comics from a writer focused on a completely separate character do not a character define.

These articles will start making the rounds once again, I suppose. And as much time as this ridiculous post took, this is my last word on the matter for what I hope to be many, many years.

It seems that someone else has rebutted the first author's argument, and I encourage you to read their much more concise article here.

Thursday, April 03, 2008

Superman at LakeCreek Alamo April 27th

Hey Leaguers,

Not much time for the blogging this evening, but...

Superman: The Movie will be showing at the Alamo Drafthouse up at LakeCreek on April 27th. Yup, up in Ye Olde Land of Wherefore The League Grew Up, up there kinda near Westwood High School. There are two shows, but we're going to the 1:00 show since its a Sunday, blah blah blah...

This showing is actually celebrating the 70th anniversary of Action Comics #1, which means just about absolutely nothing to the average Leaguer, but, hey... I get my little thrills where I can.


Superman wonders why The League has spent more time watching this movie than Reeve spent making it

While I saw Superman at the Paramount about a year ago with Jamie, Julia, Steven and Lauren, I'm kinda looking forward to watching it while eating a pizza. Which, in all likelihood, I've done before at home, but hell... this will be at a THEATER WITH PIZZA (we like to mix it up).

Justin is going to be there, and he's promised to wear his Brainiac costume. I assure you, you have not lived until you've seen Justin in his tiny, pink shorts with his legs painted green.

We've already bought our tickets, so we hope you'll show up.

And, forwarded by Randy (click to see full-size):

Tuesday, April 01, 2008

Comic Book Make League Cry

I know it doesn't really matter if I beg or plead with my good Leaguers... You're unlikely to pick up a comics just becasue I say so.

But if the League may recommend: All-Star Superman #10

The League is not made of stone, and every once in a while we're also particularly tired and/ or not feeling well. And in those moments, well, we confess a tear or two might creep to the edges of our otherwise manly, manly eye.

Things in comics that made me cry:

-The death of Hippolyta in Wonder Woman. Poor, poor Diana. For the love of God, comic nerds, be good to your mother. You never know when an evil space tyrant is going to take her away.

-We3. Pretty much every panel of every page of We3 had me sort of teary. It's partially due to something about how Frank Quitely draws, and partly because I'm a sucker for animal stories.

-Lois's face when she sees Superman again at the end of New Frontier. Sometimes someone actually understands Lois and Superman, and Cooke knocked it out of the park. Sadly, the movie didn't really capture the moment in quite the same way.

-Promethea. When Promethea turns to the reader and speaks to them in the penultimate issue of the series. This series was so underrated and under-appreciated in its time, its a crime. Moore truly succeeded with pushing the boundaries of reality on this one, and his collaboration with JH Williams is one of the finest examples of art and words mixing as they can only in comics that I've had the privilege to see. What Buddy Baker began with his "I can see you" business reaches a new apex.

Also, maybe one day Jamie will let me hang my two Promethea prints.

Amazing Spider-Man #36
- It's tough to imagine with a few years of separation, but in the wake of 9-11, Marvel Comics interrupted the storyline of the Spider-Man comics to tell a story devoid of cynicism, and which captured some small aspect of the tragedy of 9-11. And just as it uses the eyes of Spider-Man to capture the helplessness of the day, we also see the determination of the real heroes of 9-11 reflected in the story.

Had this story been printed now, it would seem odd, manipulative, and in questionable taste to use the very real tragedy of 9-11 as a backdrop for a tale of the wall-crawler. But at the time... And even today as the tragedy of 9-11 fades from view with the passage of time, it will be a time capsule of how we reacted in the days, weeks and months following. No doubt some readers will feel it absurd, even insulting that Marvel would have dared to tell a Spider-Man story, but that is now. This was then.

There are also stories of how quickly this comic was produced, hitting the shelves by November, 2001. Indeed, you can feel the urgency of the story, and the raw feelings of a true moment in history and how Marvel tried to come to grips with what was the only thing on everyone's mind.


Laika - Is there anything more likely to make you cry than shooting a puppy into space with no plans to bring it back? Reall, you could probably get my lower lip trembling just asking me to tell you what our Russian friends did to get something alive into space before the US of A.

This is, also, a great comic. I highly recommend.

First in Space - America's inability to treat its own non-human astronauts with John Glen-like-respect gets its own treatment in this true story of the US's first chimp in space, Ham. Suffice it to say, The League's feelings regarding poor treatment of chimps, especially when its a true story, are perhaps stronger than we care to admit.

Anyhoo...


All-Star Superman #10 managed to fall somewhere in there. And for Superman fans, Morrison and All-Star Superman have been nothing less than a gift. Each panel reflects more understanding of who Superman is and what that should mean rather than the mere caped do-gooder too many writers have fallen back on. The essence of what fans find in the character is omnipresent in each of Quitely's perfectly composed pages.


As with We3, and parts of new X-Men, Morrison and Quitely seem to have a synergy few other writer/ artist teams seem able to capture. Quitely manages to convey the quiet magic of Superman's world in a manner that seems to have been lost since the days of Curt Swan, with broad expanses necessary to contain the Man of Steel. His renderings of each character's expressions rival Kevin MacGuire for internal monologue.

The ideas and understanding of what a Superman would mean to the world, and what responsibilities that Superman would feel pervade the issue. But to tell it is to give the moments away.

Perhaps when the series is completed and collected, I can recommend the trade collection. In the meantime, you're missing out on one of the best comics on the stands. If we get a little misty when reading All-Star Superman, we hope you'll forgive us. The same thing happens whenever I watch Superman and they do that pan over the Kryptonian landscape.



The League doesn't mind shedding a few tears now and then. We're sensitive like that.

As much as I love getting a good laugh out of a Jimmy Olsen comic, every once in a while, its nice to know comics can be a powerful enough medium to involve us enough in the characters, in their worlds, to maybe do a bit more than tell another tale of fisticuffs and heat vision.

Saturday, March 29, 2008

Superman Rights go to Siegel Family

Hey Leaguers

I am going to try to wait this one out and see what happens, but this is of no small significance to DC Comics, Warner Bros., Superman fans and the future of the Man of Steel.

As you might know, Jerry Siegel and Joe Shuster, very young men at the time, sold the rights to National Comics for Superman for about $130. Siegel's widow and daughter have apparently successfully sued for rights to the Superman property, plus money going back to 1999 or so.

I really, really do not understand the legality of the situation. Moreover, I have no idea what control this would give to the Siegels and/ or Shusters going forward in regards to control of the property from a creative standpoint. While Siegel might have gone in a different direction with Superman, its tough to say that National and DC have not been good stewards of the character. How many other pulp/ childrens/ sci-fi properties have survived for 70 years?

Unfortunately, WB's inability to share more in the profits from Superman merchandising and licensing may mean the Siegels have some bad blood. No idea what that could mean.

For more, read Heidi's report at The Beat.

In addition, read the story as covered by the New York Times.

The Siegels have everything to gain by playing well with DC/ Warner Bros, and it would be nice if they would be comfortable with a financial deal rather than a creative deal.

I believed Shuster's heirs may have had a stake in this as well, but it seems he might not have any heirs according to this article. So stay tuned...

Thursday, March 27, 2008

Light blogging

I apologize for the light blogging. It's been a busy week.

In the meantime, I leave you to ponder

SUPERMAN: Family Man







Monday, March 17, 2008



Cover to the upcoming issue of Superman (I believe issue 677). Art by Alex Ross.

Sunday, March 02, 2008

The League Watches: Confessions of a Superhero

I had planned to try to see "Confessions of a Superhero" a while back. I think we'd planned to go with CB, but something came up.

Anyhoo... It showed up from Netflix today, and as I'm a bit under the weather, I popped it in and watched.

A long time ago, I recall some joke about the best way to get the respect of your peers in film school was to go shoot footgae of a neighborhood hobo in black and white for a few hours, get the person to tell you a sad story and then call it "Umbrellas Under Sadness". Or something of the sort. If anyone knows the exact quote, please share. But, ultimately, the idea kind of describes how I feel about a lot of "character" based documentary. Up close, everyone comes off as bizarre, and so its kind of an easy trick, especially when you can get someone living outside of normal expectations to talk to you, and a director and editor making a narrative from the whole cloth of a life.

It goes without saying that people who make a living by standing in front of Grauman's Chinese Theater dressed as Superman, etc... have, at some point, taken the path less traveled. Yes, these subjects have a story to tell, but it's never really clear if this is a new story we haven't heard before, even without the superhero angle. The documentary points out somewhat unintentionally "Going to Hollywood and maintaining a delusion of impending stardom when all Signs Point to No makes for a kind of pathetic story". And it's a story most people already know or we'd all be in LA wondering when we were going to get our break as a leading man or lady.

The movie is mostly about the shattered lives of four Hollywood wanna-be's, and seems to be trying to use the costumes of superheroes as a symbol of their hope, but only occasionally. Unfortunately, the movie fails to answer too many questions, and so whatever message they were trying to say, what the movie winds up conveying is "these people are off their nut, and they have no marketable skills. Also, 3 of 4 of these people is certifiable, and number 4 is working her way toward some bitter disappointment."

Folks who see the movie and who know me will, no doubt, wonder about my reaction to Christopher Dennis, the movie's Superman. Mr. Dennis seems like an affable enough guy. And while I admire his collection of Superman memoribilia (which easily dwarfs my own), he's a fan who has chosen to follow his obsession to the exclusion of everything else. The fact that he has found love is, to this viewer, not a surprise. He's found someone who finds him endlessly fascinating and who has accepted him as he's accepted her (she seems to have her own quirks). The Dennis segments are an unintentional cautionary tale for folks like myself, I guess. I did appreciate the advice he gave "Ghost Rider" about what behavior is acceptable when in costume/ character. But the film also demonstrates why I never want to go to the Superman Festival in Metropolis, Illinois.

The biggest issue was that the movie raised literally dozens of serious questions about the subjects of the film, and then does nothing to resolve those questions. In effect, you feel almost as if you know less about the subjects at the conclusion of the film than you did at the beginning, and its a frustrating way to view a documentary.

The film's subjects somewhat casually tell stories which demand follow up, but the film never does the work for the viewer. Our Batman tells tales of working in the Italian mob, killing the family of a former lover, and acting as an enforcer. Superman claims to be the child of actress Sandy Dennis, while Ms. Dennis's family claims she never had any children. Our Hulk discusses being homeless, but we're never told why. And Wonder Woman isn't much of a mystery, but we never get why she and her husband split, but the fact that they married two weeks after meeting sort of suggests what may have happened.

The film's creators spend entirely too much time on cinematography and still photos and almost none actually crafting the story. They mostly take the folks involved at their word, even when their spouses are saying "you can only believe 50% of what he says." The fact that the producers didn't chase these clues down (possibly to reveal that the guy playing Batman was responsible for the deaths of many people) goes beyond laziness and into outright irresponsibility. If Batman was lying or believes what he says, he needs help. And so they send him to the shrink in a full Batman outfit.

There's never a question of where the money came from for the costumes in the first place. There's never a question of why the subjetcs chose the character they did, or what they actually know about the character (pretty clearly in the case of Dennis: a lot). Heck, there's never even a question of "is dressing as a superhero on Hollywood Boulevard the best investment of your time if you want to be a serious actor?" Like so many Hollywood producers who've generated so many bad, bad super-hero movies, to the documentarians, the costumes are just a prop on the way to a paycheck. But I suspect that's a complaint only a comic nerd like myself might have.

The documentary seems to want for the audience to root for and support the characters, but there's simply no reason given as to "why"? If they aren't putting on the costumes to make the world a better place, but for self-promotion, and this is the step they've taken toward their goals of money and power, why should I care if they fail or succeed?

Part of this, I suspect, is that the filmmakers are in line with the platitudes provided by the film's subjects regarding the movie industry's placement of value on fame and money. Perhaps the film is intended to indict this idea, but it seems to be cheerleading the subjects.

The omissions of the film act as a huge distraction and mostly point out that, aside from long, lingering views of Dennis's Superman memoribilia-rich apartment, they just don't have much to show. A quick trip to Wonder Woman's hometown suggest she had a mother who indulged her every whim and may hvae chosen poorly when she gave up an iron grip on a town of 2000 for asking for tips for dressing as Wonder Woman.

Interesting characters, perhaps... but perhaps the movie could have spent less time on musical interludes of the Hulk in litter strewn alleys and more asking him "Hey, four years on the street? How did that happen? And why didn't you just go home to North Carolina?"

The sad answer to a lot of these questions is probably: the person is crazy or not-all-there. And absolutely no evidence is given to the contrary.

In short, I can't really recommend the film. My hope was that it would be more about the histories of the subjects, but instead the producers chose to just focus on the present tense of the situation, half of which seems to be a steady stream of fabrications.

Friday, February 29, 2008

Happy Birthday, Superman!


February 29th is the date usually selected when Superman celebrates his birthday!

So, happy birthday, Man of Steel!

Read more here and here for celebrity well-wishers!

The League of Melbotis wishes Superman the happiest of birthdays, and wants to take a moment to commemorate Jery Siegel and Joe Shuster, who brought to our world a strange visitor with abilities far beyond those of mortal men.

Tuesday, February 26, 2008

Superman Slamdunk

In case you missed it, Dwight Howard pulled off a crazy dunk during the All-Star Game festivities, employing a Superman theme.

Look at where his feet leave the ground, and where he is in the air when he releases the ball. Holy smokes.

Saturday, February 23, 2008

REVIEW: Justice League: New Frontier

Well, Anonymous, I watched the movie, so here we go.

New Frontier

I liked it.

Like any movie from a book, JL: New Frontier does not completely manage to capture what made the book great, but it does a pretty darn good job of translating the comic to animated format. Rather than beat around the bush, I will say that the single biggest problem with the movie is that at 75ish minutes, the movie feels about 20-30 minutes too short.

I'm not sure if viewers of the movie are going to necessarily miss the bits about Dinosaur Island (from Weird War Tales), the greater development of a few plotlines, or more about the Challengers. But they may want to see more of the Superman/ Lois relationship, get a better feel for the existing relationships among the characters, and maybe get a bit more background on The Flash.

I don't envy director Dave Bullock, or writer Stan Berkowitz. New Frontier as a comic was a sprawling epic, taking place over an extended period of time and containing both explicit and implicit inclusion of historical events and a truckload of DC publishing history. Whomever the powers that be at TimeWarner might be, they've been kind enough to greenlight this sort of project and short-sighted enough to dictate the same running time for children's movies.

New Frontier is PG-13, suggesting that DC Animated expected the movie to reach an older audience than, say, the latest installment of the Air Bud puppies series. One of the oddities of comics and their translation to television (especially to animation) is that what happens in comics is often PG to PG-13 rated. And with the opening sequences taking place in a warfield in Korea in the final days of the Korean War, they don't pull too many punches.

Whether the voice talent took part as a lark or because the pay was right, this movie has a great voice cast. Kyle MacLachlan as Superman, Jeremy Sisto's Batman is a worthy heir to Kevin Conroy. Lucy Lawless is a good Wonder Woman, and I was a fan of Vicki Lewis as Iris, and Brooke Shields as Carol Ferris. David Boreanaz of Angel fame plays Hal Jordan, and Miguel Ferrer is a great Martian Manhunter.

The art-style approximates artist Darwyn Cooke's original conception, under the steady guidance of director Dave Bullock. Coincidentally, I used to really like Bullock's cover work on Superman comics about three or four years ago, as he shared a bit of a retro-style with Cooke. Some will make the mistake of believing the late-50's style of cartoon art is imitating The Incredibles, but that's an unfortunate coincidence. New Frontier pre-dates the release of the Incredibles. I did miss some of the characterization, especially of Wonder Woman, that Cooke brought to the page, but budgetary concerns and a slightly more modern style was probably required for a general audience.

The plot holds up well, and in place of the sprawling story of the original mini-series/ graphic novel, the story is tightened up nicely in the film, with most of the major beats getting attention. From The Flash is Vegas, to the origin of Hal Jordan as Green Lantern, it's pretty well covered. The overarching storyline of The Center, that holds the film together, was surprisingly well-paced and handled with an appreciable amount of narrative economy, all while building tension.

The action scenes are very well choreographed and maturely handled. There's a great big-screen feel to the whole movie with well-staged scenes, from art direction to "blocking".

There are some scenes where they've taken some liberties, and where they've integrated sequences, etc... but as far as a film goes, I don't have any complaints.

Folks not particularly familiar with the Justice League or superheroes beyond Batman and Superman will find something to like.

Folks who are DC geeks will find a bag of things to enjoy, from the Challengers of the Unknown just sort of being there, to Madamoiselle Marie as a Fed. It's just a lot of fun.

Extras:

The preview copy I received was not the two-disc set, but did contain the film and a short documentary on the history of the Justice League.

Superman/ Doomsday contained a similar documentary, produced as a companion piece to the movie you may have just finished watching.

In this case, the documentary covered the publishing history of the Justice League, and contains some great interviews from folks who were there, or who worked with the original creators (many of whom, like Gardner Fox, have passed). Comic geeks will be excited to see the faces and hear the comments from well-known creators, but may have known some or much of the history of the Justice League of America. Non-comic geeks may be surprised at the grown men talking so lovingly about the Super Friends, but will still enjoy.

On the Whole:

I think this came out extremely well. It's tough to separate out my love of the original book from the movie, and that works in two ways. I am somewhat bothered by what was excised for time, but I'm also finding it hard to pick at the movie too much as it animates and brings to life a comic I think is top notch.

If there's one thing I think was missed, its at the very end when Lois sees Superman again. I recall seeing that page the first time I read the comic and felt it was just a perfect Superman moment. If comics can slow when you read and really impress a feeling upon you, Cooke had pulled it off. Here, I kind of felt it was rushed. But, you know, 75 minutes.

I still recommend. I will mention that I wouldn't show this to, say, very, very young kids. But if they can handle Star Wars, they can handle this.